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What Are You Thankful For? It’s All About Perspective.

11/26/2014

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Do you ever find yourself saying something like, “Being an actor in LA is hard!” Though that is a reality to some degree, it doesn’t have to be your reality. It’s true that an actor never really knows when the next job will present itself. What is important is to know what you really have control over. You don’t have control over how many actor’s in LA are competing for the same jobs, or if you’re what they’re looking for, but you do have control over your craft and your attitude. One of the best ways for actors to stay positive is to focus and be ready for any opportunity. Being pro-active is a way of taking control. Here are some things you can do to take action and keep your perspective positive.

1. Go to Open Casting Calls. Open casting calls are a great way to keep your auditioning skills sharp. You never know, you may make a few contacts and get your name in the heads of some Casting Directors you’ve never met. Even if you’re an experienced actor it never hurts to put yourself out there in any way you can. To keep on top of open calls check this link regularly:
http://www.backstage.com/casting/open-casting-calls/acting-auditions-los-angeles/

2. Exercise. As an actor your body is your instrument, and casting directors will take note of your physical appearance from the moment you walk through the door. If you're slacking on your figure you may be at a disadvantage if you're a certain type. But nevertheless being physically fit will give you the stamina to live a life that is without routine. Here’s a good resource for a simple home workout when you can’t get to the gym.
http://www.motleyhealth.com/fitness/20-minute-home-workout

3. Go to networking events. Screenings, networking events and conferences are a great way of meeting new people and picking up tips and tricks about all aspects of the industry. We've found that Q&A's for screening films are especially interesting, if you have a chance it's always great to hear what people in the business have to say. Check out this link for ideas:
http://hollywood-networking-events.meetup.com/cities/us/ca/los_angeles/

4. Keep your portfolio current. This is probably the most important! You’ll want to make sure you have recent demo reel and head shots. You may even want to build a website. No matter where you are in your career and experience this is truly your calling card and first impression, so make it a good one. Keep everything updated and keep your presentation top notch. The way you present yourself says a lot about who you are.
http://mixform.com

5. Create your own opportunities. Find ways to hone your craft and express it. Start an improv group, act in a play, pick up a camera and start a YouTube channel; in the very least you'll be practicing and exercising your skills. Remember that even the greatest actors say they haven't learned everything there is to learn about acting. Or learn more about other jobs in the industry and do some PA work, or intern in a production company or casting office to understand more about the business. 
http://YouTube.com
http://mandy.com

You don’t have to be one of those actors that sit around commiserating on how tough it is. Shift your perspective to an attitude of gratitude for all the ways you can actively take part in pursuing your career goals. This Thanksgiving be thankful that you have the opportunity to pursue a career of your choice, many others around the world don’t have that luxury. And remember that having a passion for something is a blessing and having the opportunity to live your passion is invaluable. Happy Thanksgiving from the Award Winning Reels Team.

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Timothy Spall’s Mr. Turner: Creating Characters With Mike Leigh

11/19/2014

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Preparing for a role can be tough, there are so many potential backstories and dimensions to a character. In order for an actor to create authentic characterizations there ideally should be a dialogue between the director and the actor before filming even begins, and especially so in regard to characters based on real people. During the Q&A of the film Mr. Turner, Timothy Spall, who played the title role, reflected on his process with Mike Leigh and how he prepared to play one of England’s greatest artists JMW Turner. 

Spall explained that the shoot was roughly three months but preparation began long before totally about six years. Portraying a renowned artist meant that Spall had to learn to paint. He began taking lessons two years before principle photography. But beyond just learning the basics he also attempted to paint in the style of Turner,  an English Romantic landscape painter, water-colorist, and printmaker. Turner is commonly known as "the painter of light” and his work is regarded as a Romantic preface to Impressionism. At one point Spall recreated a full size painting of Turner's. "If the character's done something you have to have a working knowledge," Spall said. Though he did mention with a wry smile that he went to visit Turner’s grave in St. Paul’s Cathedral to ask for forgiveness, before, during and after the film was compeleted.
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Mike Leigh handpicks his actors seeking only those who are open, trustworthy, and willing to devote themselves to the role. His collaboration with Timothy Spall has spanned over 30 years. Clearly the trust is there. Spall spoke about this in his Q&A: “Mike Leigh is a man that encourages his actors to serve the character. The character is all. Because through trying to build the character you create the drama, you create the film.” He went on to explain that there is a real freedom for the actor in this process because, “you are not playing a character to make you look good, you’re trying to make the character work. You are totally obsessed with getting the character right to such a degree that if you do get it right it starts to take to you.” Spall went on to say that every very time he’s worked with Leigh, through the inventiveness of the collaboration and his guidance and management there always comes a time when the character starts working itself. “You’ve created it with him but it starts taking over. Obviously you drive the engine but the character takes care of itself.”

Spall said Leigh encourages you to create a proto-character as a template by observation and references of people you already know. They start by basing the character off of several different people and maybe even mixing mannerisms to create a fusion or a proto-person. Spall said that at some point the character shines through the references and comes to life on screen.  
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How does this process apply in the instance of playing a historical character like Turner? Spall said the process is the same but that the rest is all about learning about the real person. The actor creates this organic creature then applies knowledge from the material already in existence, through study and research. The job then is to use all the information you’re learning about the character and combine it with the character you’re creating organically. As Spall put it, “the organic character you’ve created is to be like the human hand that fits into the glove of the research and eventually you push them together so much that they mix up so much you don’t see the joints.” This is the sophisticated process that Mike Leigh uses every time he works. It’s a process and a formula he invented and always sticks by. Whether fictional or historical the process of building a character on a Mike Leigh film is always the same, you draw from more than one example of humanity, but it’s still very much starting from zero.

Don’t miss Timothy Spall’s award winning performance in Mr. Turner. http://sonyclassics.com/mrturner/

And check out these reviews from: http://www.theguardian.com/film/2014/oct/30/mr-turner-review-mike-leigh-timothy-spall
and Variety: http://variety.com/2014/film/reviews/cannes-film-review-mr-turner-1201182098#u=http://variety.com/2014/film/reviews/cannes-film-review-mr-turner-1201182098;k=pmc-adi-31bb2464aad8b905af7a81e1d57b77ae
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You Gotta Give to Get

11/12/2014

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     How do you define success? It’s a challenging question for most actors and entertainment professionals. What is your criteria? Is it fame, money, working with certain people, or having great representation? For most success is something we have to acquire, go after and actively pursue. But true success is an inside job, it starts with you. 


     Change your perspective, rather than comparing and quantifying take a different approach, be of service. Consider your talent something to offer, something to share rather than promote. When you come from a place of serving others you’re rewarded because you open yourself up to experience connection and commonality with other people. This can only enrich your craft. 


     When you’re open inspiration flows freely. You’ll spend less time in your head strategizing and more time staying present experiencing and ultimately creating. Staying open and maintaining a sense of generosity in all aspects of your work will only serve you in the end because it will give you an invaluable awareness and insight.

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     Here’s what one of our favorite actors has said about success:

      “The people I consider successful are so because of how they handle their responsibilities to other people, how they approach the future, people who have a full sense of the value of their life and what they want to do with it. I call people successful not because they have money or their business is doing well but because, as human beings, they have a fully developed sense of being alive and engaged in a lifetime task of collaboration with other human beings -- their mothers and fathers, their family, their friends, their loved ones, the friends who are dying, the friends who are being born.

        Success.. is all about being able to extend love to people... not in a big, capital letter sense but in the everyday. Little by little, task by task, gesture by gesture, word by word.” --- Ralph Fiennes 

http://www.imdb.com/name/nm0000146/bio?ref_=nm_dyk_qt_sm#quotes
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This awards season Ralph Fiennes gives yet another stellar performance in The Grand Budapest Hotel directed by Wes Anderson. One of our favorite films this year. 

http://www.grandbudapesthotel.com/, http://www.akademiezubrowka.com/
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Gearing Up For Awards Season 2014

11/7/2014

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     It's pre-award season in the motion picture industry and there are lots of screenings happening in major cities for guild members, critics, and other industry folk. Most screenings have Q&A sessions afterwards with actors and filmmakers. We were in attendance this year at Deadline’s 4th annual “Contenders Event” held at the Directors Guild of America, (contenders.deadline.com), and it’s like no other event during the season. This is a unique opportunity for twelve studios to showcase over 35 films directly to AMPAS and voting guild members.

     It's always an inspiring time of year to get a real sense of how films are made; to listen to people in the industry talk about their journey and how they navigate the business side of filmmaking. One highlight we'd like to share was from the Q&A after the film SNOWPIERCER (snowpiercer-film.com) with Tilda Swinton (facebook.com/tildaswintonnet).
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  Swinton had some wise words that all actors should heed. She said she never actively pitches herself or fights for a particular role. She prefers meeting directors she admires personally and asking them if there is anything for her in their current project, or to keep her in mind for future projects.

      She looks for interesting collaborations and doesn't get caught up in fitting into moulds. In fact her role in this film was originally meant for a male actor. But after speaking with the director, Bong Joon-ho, he decided to try something different. She explains that this is the most satisfying and interesting way of getting a role. And undoubtedly this approach allows her to “create” every character she plays because she is not having to fit into any preconceived ideas about the part. Each and every character she plays is uniquely hers, an indelible creation.

     When getting work or wanting work as an actor it is hard to not let desperation get the better of you. This way of getting roles takes you out of a place of desperation and into a project where you respect and connect with the vision of the filmmakers.
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    Authors

    Anastasia Roussel is the head of Development at Award Winning Reels and White Swan Films. 

    Nicolas Pinzon is a filmmaker and storyteller currently enrolled in UCLA’s Professional Screenwriting Program. He has a B.A in Arts and Humanities with a concentration in both Music, and Gender and Sexuality.  

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