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Red Carpet Hosting: What are the best questions to ask?

9/22/2015

1 Comment

 

by Nicolas Pinzon

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With the recent celebration of the Emmy’s and the film industry’s award season right around the corner, we began to wonder what makes a good host and interviewer for the red carpet? Without a doubt, along with an impeccable presence, a wide smile, and a pleasant and diligent attitude, one of those factors is simply knowing what questions to ask. A good interviewer asks questions that interest the viewer and brings the best out of his or her subject by exploring topics that the interviewees actually want to talk about. Yet, too often we hear big-name hosts ask questions like “What are you wearing?” What are your pre-show rituals?” and “Do you want to win?” These sorts of questions bring out an immediate and rehearsed response from the celebrity being interviewed and the whole interaction becomes stale and boring. 

So what should a host/hostess ask on the red carpet? The original idea for this blog was to make a list of the perfect questions and feed them to you, but perhaps it’s not that simple, or perhaps, it’s much more simple than that. In short, the best idea is to ask questions that are more specific and in a sense “more personal” about the subject’s work, style, and current projects. This might require you to know more about the person that you are interviewing, but even if you don’t, it is always better to look for questions that call for a more personal response. For instance, when talking to an actor, you can ask about what drew them to this character or project; you can ask about the thrills and difficulties during the filming of this project; You can ask about what the public’s reaction to their project means to them or about what they hope people will get from the story that they are a part of telling. Of course if you actually know about the actor and project you can mold these questions to make them more effective for each specific case, but either way the point is to ask questions that inspire more genuine and meaningful interactions.   

Now, don’t get me wrong, I’m not saying that you should treat the red carpet like a massive job interview in which you’re seeking to hire Brad Pitt or Kaley Cuoco. Of course you should have fun, be relaxed and talk about fashion. The key is to do it in a way that really sounds like an actual conversation and not like a reverberation of what everyone else is saying. Instead of asking: “who are you wearing?” You can complement the person on their clothes and then ask them something about what drew them to that dress or what was their process to finding what to wear for such an important night. Again, the idea is to find the specific and the personal within the questions everyone asks, and they will tell you “who they are wearing” as soon as you mention their dress either way.     

Most of all, remember to enjoy yourself, listen, and ask questions you’d actually like to know the answer to. There is no formula or fixed list of questions you need to follow, instead you get to be creative and social with your questions. Aim for the heart. That’s all the advice we can give you.  

What do you think makes for the most effective red carpet interviews?  

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Narcos: Netflix Original Series - An Award Winning Reels REVIEW

9/16/2015

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by Nicolas Pinzon

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Why are we so fascinated by the life and death of Pablo Escobar? As much as we’d love to deny it, we have always been more interested in evil than in good. Both Gandhi and The Godfather won the Oscar for best picture in their year, but which film do we continue to watch as time goes by and which one has more or less been forgotten?  

Understandably, Hollywood directors like Oliver Stone have been trying to tell Escobar’s story for decades, but Probably the best representation of the drug lord that Americans have been exposed to came in the form of the documentary 30 for 30 - The Two Escobars. Yet a documentary tells us the facts; our curiosity wants to see the methods. We want to see the man at work: thinking, laughing, killing, living. That is the first place where Narcos goes terribly wrong. 

In the Netflix original series, Escobar’s story is not told through his eyes or through the eyes of the people around him, but through the eyes of a dreadful American DEA agent. This very uninteresting man will narrate about 30% of what you see on screen, spelling out for you what a ten year old would probably not understand, but most of us over that age would be fine with. If what we’re all curious about is Escobar, why did Netflix decide to filter it all through the perspective of an unremarkable DEA agent? I don’t get it. 

In all fairness, Narcos can be very interesting for someone who isn’t familiar with the Pablo Escobar story, but this is simply because the source material is so over-the-top. The series begins with a paraphrased statement from Colombian writer and Noble laureate, Gabriel Garcia Marquez, who said that Colombia was a country in which the truth was stranger than fiction. This statement is very true for the series as well. Admittedly, Narcos only claims to be 50% based on truth, and that is the only percentage that works in the show. There is nothing wrong with changing the story a bit for dramatic purposes, but Narcos doesn’t do that, Narcos changes the story simply to be able to fit 20 years of war into 10 episodes. As a result a complex story of multiple struggles and twists is turned into a shallow, voiceover frenzy of telling and not showing. 

Undoubtedly, the Netflix series is trying to appeal to three very specific markets at once: the American market (by telling the story through the eyes of an American,) the Colombian/Spanish market (by setting the story in Colombia and using Spanish throughout,) and the Brazilian market (by casting a famous Brazilian actor as Pablo Escobar, using a Brazilian director, and flavoring the series with mostly Brazilian music.) In my opinion, this preference of internationality over authenticity is another major mistake. Though I have no problem with Brazilian Jose Padilha directing the series, as a Spanish speaker, I must confess that Wagner Moura’s performance as Pablo Escobar greatly affected my experience with the show and I would equate it to hearing a young Arnold Schwarzenegger voice Al Capone. Yes, German is similar to English like Portuguese is similar to Spanish, but the idea that someone who has only been studying the language for a few months will sound like a native speaker is laughable. Netflix should have concentrated more in making a good narrative story than in check marking every major group in the Americas. Taking into account all the nationalities of the actors attempting the Medellin accent, I’m surprised more Canadians weren’t involved. Maybe for season 2. If you don’t speak Spanish, you’re in luck, but if you do, the inconsistency in accents throughout Narcos will probably be very distracting. 

Ultimately, Narcos doesn’t commit to anything. Though the story surrounding Colombia in the time of Escobar is one of, passion, loss, greed, bravery, hate, love, and numerous other powerful emotions, Padilha’s Narcos is totally impersonal and distant. Great Mafia films such as The Godfather, Goodfellas or Scarface are all grounded in strong emotional backbones of friendship or family or love, but the Netflix original series remains stale through the narration of an outsider who rarely seems connected to the core of the story. If you happen to speak Spanish or know much about what happened in Colombia during the 80s and 90s, the experience watching this show will probably be terrible, but if you are just learning about the subject, this show will likely be an average one. Either way, taking into account the quality of the source material, Narcos should receive a failing grade for missing such a clear opportunity. Pablo Escobar: El Patron del Mal, is a very good though not perfect Colombian series also on Netflix that explores the same story in over 70 episodes and gives a much more authentic picture of who Escobar was, his complexities, his cheerful personality, and all the tragedies he brought upon a people who, like the rest of us, only wanted to live in peace. If you really want to know the man, I recommend you watch that instead.      

I give Narcos 2 out of 5 stars for its great cinematography.

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    Authors

    Anastasia Roussel is the head of Development at Award Winning Reels and White Swan Films. 

    Nicolas Pinzon is a filmmaker and storyteller currently enrolled in UCLA’s Professional Screenwriting Program. He has a B.A in Arts and Humanities with a concentration in both Music, and Gender and Sexuality.  

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