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How to create a three-dimensional character

8/11/2016

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What constitutes a great performance? A believable, authentic and honest display of emotions that connects with an audience. Now, you may ask how does an actor achieve this? What is the secret ingredient? Well, there are many things, which go into a great performance; an actor's inherent talent, technique, instinct, emotionality, and charisma, to name a few. 

But if there's one factor which supersedes all this; which helps the actor truly deliver a performance worth remembering - It is the actor's ability to create a convincing, three-dimensional character. To create an actual, living, breathing human being, with feelings, emotions and a rich backstory, and not a caricature, cliché, or flimsy representation of a person. 

As you might expect, this requires a lot of practice, experimentation and discovery, especially considering how subjective acting is as an art form. What works for one actor may not work for another. You have to find your own process. 

To help you get started, here are some tips and tricks to create a convincing character. 

Research - Probably one of the most important steps is research. A good script will give you some information about the character and the setting, but great actors go beyond the text, and research the history, culture, economics, and politics, and era the script is set in. How does one do that? By browsing the Internet, watching films from the time period, going to museums, art galleries etc. Just fill your head with as many visual references as possible so that you have something to draw from when you create your character. 

Ask questions - Inspired partly from Stanislavski’s acting technique, this method will help give you a better understanding of the character you're trying to embody. Pondering over and answering questions such as 'Who am I?', 'Where am I?', 'Where did I come from'?, 'What do I want?', 'Why do I want it?', etc. will help you flesh out the details, fill the gaps and bring your character to life. 

Be Prepared and Rehearse - Know your lines inside and out. There are no shortcuts. if you want to create a convincing character, a real human being that the audience can connect with, then you need to know your lines so well that delivering them becomes second nature. But obviously, memorizing is just the first step. There's so much more to it. That's where rehearsals come in. Rehearsals help you hone your performance, as well as, provide an avenue to delve into your character, explore different possibilities and experiment with different emotions. This is the place where you can truly get a sense of who your character is and what they need.

Listen - If there's one piece of advice every great actor gives - It's the importance of listening. Acting is not about regurgitating the lines written on the page. It requires listening, comprehending and processing what the other actor says and does. That way when your character does react, it seems like an honest and natural response. Not something which was scripted beforehand.

Be in the moment - Immerse yourself in the role. Don't be distracted by the crew on the set or the audience in the seats. Just focus on your character. Connect with the character's feelings and emotions and let them take you over. Doing so will ensure that no matter what curve balls are thrown at you, you never break character and are always present in the moment. 

Obviously, this is just the tip of the iceberg. There are many many more things, which go into a great performance. But until the time you become veteran thespians, and have a complete grasp on your craft, following these tips will make sure you are always on the right track.  

As a bonus, here’s a one minute acting advice from one of the greatest actor of our times. Hope it inspires you!

https://www.youtube.com/watch?v=S4K2znuYjwI

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Five Essential Books for Aspiring Actors

8/4/2016

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Acting, like any other craft requires dedication, effort and training. So even if you're taking acting classes, or working professionally, reading these books will provide you a tremendous amount of information and help you further nurture your abilities.

“Meisner on Acting” by Stanford Meisner - The Meisner technique is up there with the Method as one of the most practiced technique among actors. An essential read for any actor, ‘Meisner on Acting’ offers unique insights and exercises on how to live and act truthfully in the moment.

“Respect for Acting” by Uta Hagen - Simple, straightforward and practical, Uta Hagen’s method of transference basically revolves around understanding the character's life by comparing it to your own. She does this by introducing a series of questions, such as “Who am I?”, “What do I want?”, “What is my relationship?”, which help the actor define the character's role in detail.  

"An Actor Prepares" by Constantin Stanislavsky - Stanilavsky is considered a father of modern, realistic acting and this book, which is a first in a trilogy, is quite possibly the most popular book on acting ever written. In this book, Stanilavksy takes the actor through Stanislavsky's self developed system, now famously known as ‘Method Acting’ which includes a variety of exercises and techniques that encourage imaginative and honest performances by drawing into one’s own autobiographical experiences. This is one of the first books on acting and the one you should start with. 

“The Art of Acting” by Stella Adler - Stella Adler is one of the most important teachers of acting, and the only American actor to have studied with Stanilavski himself. This book which is essentially a compilation of all her acting lectures consists of 22 lessons drawn out of various sources documenting Adler’s teaching experience. 

“Audition" by Michael Shurtleff - Quite possibly the best book on auditioning, this book discusses the art of auditioning from the perspective of an experienced casting director. An easy and enjoyable read, ‘Audition’ is one of the best books to begin with if you’re just starting your acting career. Michael Shurtleff also proposes a twelve step guide which is an easy and informative way to develop three-dimensional characters as you prepare for your auditions. 

If you’re an aspiring actor and haven’t read these books already, go and check them out. Right now!
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The New Age of Horror, and its affect on the cinematic landscape

7/21/2016

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​Horror, more than any other film genre has been susceptible to pop culture, with each trend reflecting the current state of world affairs. From the Universal monster pictures of the 1930s to the Blumhouse found footage films of the 2000s, horror films are ever evolving.
 
Therefore, it's not surprising that recently a new wave of horror is permeating the film landscape. Films that are not considered as out and out horror films, filled with gory scenes, and quiet-quiet-BAM jump scares, but films more interested in exploring the complex psychological dynamics of the human experience. Films such as the Australian stunner The Babadook, or the slow paced chiller, It Follows amongst many others.
 
Made on a relatively low budget, mostly with independent financing, these film aren't necessarily interested in the actual scares, though some of them are pretty terrifying to say the least, but rather use horror elements as kind of landscape in order to focus on a deeper character dilemma. For example, The Babadook, which in no way hides the fact that the film is actually a statement on parental exhaustion, with the monster clearly acting as a blatant metaphor for motherhood. Or that It Follows with its supernatural stalker is actually a film about sexual shame. Keeping these factors in mind, we can somewhat justifiably make an inference then that these films bring the subtext closer to the surface, making the films more intellectual and complex, as compared to the run-of-the-mill horror fare from the studios.
 
That isn't to say these art-house films aren't scary. Possessing a distinct tone and feel, with an utterly bleak world view films like Goodnight Mommy or The Witch rely on an insurmountable sense of dread, paranoia and perpetual unease, making the films extremely uncomfortable for audiences to watch. I remember one friend, who's a huge horror aficionado, say that he just couldn't sit still during the screening of It follows, not because he was bored, or three steps ahead of the story, but because he was extremely scared. The way he explained it, just the inherent knowledge that the stalker may be anyone and may come from anywhere was enough for him to keep his eyes semi-shielded, through most of the film.
 
But, to be fair, not everyone shares the same enthusiasm and experience as my friend. Take for example, the celebrated author and self-described cinefile, Bret Easton Ellis who declared his disdain on social media for what he calls "Indie Arthouse Horror". He explained this statement in detail in his podcasts with producer Jason Blum, and director Eli Roth, where he cited films such as The Babadook, You’re Next and Goodnight Mommy as major culprits for this new breed of cinema which provides unnecessary metaphors, backstory and logic, which may presumably elevate the story to give it extra heft, but actually undermines the scares present in the narrative. Ellis went so far as stating ‘Explanations ruin horror’, that films with random scares, where the monsters or ghosts don’t have a conclusive backstory are generally more effective in their ability to frighten us, than films which divulge in their third act that the monster never existed in the first place.
 
I’m sure Ellis isn’t the only one who shares these views. Many people, some of my friends included, consider these films more taut, tension-filled thrillers instead of actual horror films. I’m talking about real horror fans; people who tend to gravitate and seek out films that have actual scares, and find themselves cheated when they watch these indie art-house horror flicks, which according to them are nothing more than complex character studies, with some underlying tension.

However, whatever your preference may be, in the end, you cannot disregard the impact many of these films have had on the cinematic circuit. Sure, they may not be that scary to some, and that’s perfectly understandable, but for many these films have acted as conduits to a genre that may have been otherwise avoided. In any case, I’m optimistic about the future, and will hope to catch many of these films soon. Films that aim not only to frighten audiences, but also stimulate their minds. Now, that’s what I call a perfect cinematic experience!
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On Set Etiquette for Actors

7/13/2016

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Being on set can be a lot of fun. It can also quite grueling. Heads can lock; tempers can fly, especially when lots of people from different backgrounds come together for a shared goal of creating art. Compound that with the added pressure of time, and we can understand why filmmaking is considered a very high stakes endeavor. That's why it's essential for all creative professionals, be it actors or crew members, to know basic film set etiquette. 

Considering this blog is mainly centered towards actors, these tips and best practices are primarily geared towards them, but should work for other departments as well. 

1. Arrive on time - Or even better, arrive early. As I pointed above, time is money on a set and you, as actors want to make sure you never delay the start of a production. Unless, of course it's an emergency. But barring that, there should be no excuse. 

2. Know your lines - This one is self-explanatory. As actors it's your job to be adequately prepared before you arrive on set. Now things may change. Nothing is set in stone, especially with certain directors who prefer a more improvisational approach. But in the end, it's my opinion that you'll be better prepared, even if you have to be more flexible on set, if you've already done your homework.

3. Remember your marks - You can't imagine how much time you save the camera department if you just remember your marks. It's a simple task, but often overlooked. 

4. Be courteous and respectful - It doesn't cost you anything to say please and thank you. Crews work long hours. They're often the first to arrive and last to leave the set. Therefore, a kind and appreciative gesture goes a long way. 

5. Do not shout cut - That's the director's job. Even if you think the shot is over and the camera is unnecessarily rolling, don't shout cut. Just be in the moment. You'll be surprised how many times directors seek those specific moments after a shot is over, just so that they have something extra to play around with in the editing suite. 

6. Do not give your opinion, suggestions or friendly advice to a fellow actor - Sometimes you may see an actor deliver a line, or perform a scene in a certain way which you think doesn't exactly work for the film. It's best to keep silent and not speak up in such instances, as you don't want to unnecessarily interfere in the director's vision. Remember, it's the director job to have a holistic understanding of the film and how it'll all come together, so if an actor is performing in a particular way, it's quite possible the director has specifically asked for that. If you feel it is something that is affecting your performance in a negative way, then by all means speak up, but to the right person i.e. the director. 

7. Be quiet on set and wait patiently - A set is a professional work zone that costs a lot of money to operate. By engaging in an unrelated conversation, you don't want to distract the director, the department heads or the fellow actors as they prepare for the next shot. Staying quiet and focusing on your next scene is always the best option. 

There are many, many more tips of course, but for now, this should give you a basic idea. Remember, a production runs smoothly when all the people involved perform their roles in an effective and efficient manner. This can only be ensured when the actors and the crew members embrace all these key principles. 
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Different Character Archetypes - Which one are you?

7/6/2016

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Character Archetypes, to put it simply are common qualities that certain types of characters possess. These qualities can be expressed in infinite ways and are based on core personality traits that are found in literature, mythology, and the world around us. From the wise old mentor to the wide-eyed young hero, character archetypes have become part of our narrative lexicon.
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Now, as an actor how would you know that you fit one of these archetypes? That if a role based on a particular character type was available out there; you would stand a fair chance? Well, before we answer that question, let’s look at some common character archetypes used in films and TV. Courtesy of the website psychcentral.com

The Everyman/Everywoman - Often the central protagonist. A person who more or less acts as the voice of reason. Sometimes these characters only play by the rules, and sometimes they don't. It's ever evolving, as per the needs of the story. The character of 'Jim Halbert' from the 'The Office' would be a perfect example of an everyman.
The Ruler - A character motivated by the need to control and power over others. They assume responsibilities and show leadership. They can be benevolent, just, righteous, as well as authoritative and intimidating. Example - ‘Daenerys Targaryen’ from ‘Game of Thrones’.
The Explorer - These characters are motivated by a desire for discovery and a fear of conformity. They are often seen on a quest, in search for something. They act on intuition and try to maintain their original self while trying to change the world. They often run a risk of not settling down or not having a normal life as they’re constantly on the move. A classic example would be the character of ‘Indiana Jones’ from “Raiders of the Lost Ark’. 
The Caregiver - A character who by nature is nurturing and caring. These characters are happiest when they are making a difference in someone else’s life. Possessing a high amount of compassion and generosity, these characters often look after others who can’t protect themselves. Example - Sandra Bullock as ‘Leigh Anne Tuohy’ in ‘The Blind Side’
The Rebel - These characters rely on outrageous and radical methods to achieve their goals. They are essentially non-conformists. People with countercultural ideas who want to push the envelope ahead, mainly with an intention of creating a better world. They are generally respectful of other people’s opinions but can sometimes be reckless in their approach, concerning themselves only with the bigger picture at hand. Example - ‘Maverick’ in ‘Top Gun’

Coming back to our main question - How would you as an actor know that you fit in one of these archetypes? Well, the simple answer is - knowing yourself. That's basically what it is. Having a composite and honest understanding of your personality, your looks, your temperament, essentially everything that makes you who you are. 

You can also dig further and focus on how other people perceive you. Your friends, your family, your co-workers. Studying their behavior towards you can you give you a key insight as to who you really are.
And if that’s not enough, do some healthy introspection. Have a reflective look back at your life. Do some detective work. Browse through all the scenes you're getting in acting classes. The kind of roles your friends are offering you in their short films. Once you see a specific pattern, well that answers your question.
You can then build on that knowledge. Even create a certain persona as you go out for those roles. Knowing fairly well that if your personality fits the character type a certain show is looking for, you stand a really good chance.

Now you may turn around and say that I look like a Warrior type character, say for example - a soldier or a police officer, but inside I'm an everyman. That's the kind of character I want to play. Fair point. As actors, you'll all have an innate desire to play different characters. To play people who're completely different from your actual personality. In the end, that's what acting's all about, isn't it? Experimenting and constantly reimagining yourself. Well, that's definitely possible too, to an extent of course. The only caveat being, that you have to convince whoever is responsible for casting that you have what it takes. That even though, you don't naturally exhibit any of those characteristics, you can deliver when the performance calls for it.
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Well, again, harking back to the previous point, it all revolves around understanding the particular character type. And once you fully understand it, molding yourself to fit that character type. Making sure that once you walk into that room, the casting agents don't see you, but that specific character. That way, whoever you might be inside, it’s what you project outside, is what will finally determine whether you book that specific role.

In the end remember, the first impression is the lasting impression. What’s true in real life tends to be true when it comes to auditioning. You have to make it count!

​At Award Winning Reels, we will work with you to develop a professional reel that emphasizes the different archetypes and qualities you can play in your own unique way. Our boutique Demo Reel Production Service provides top industry level writers, editors, and production team that will ensure that you have a reel you can feel proud of, and that represents your unique talents and personality. 



 
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Summer Fun For Actors and Filmmakers

6/30/2016

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by Virat Pal

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As the summer season is finally upon us, here are some events for all you artists out there to spark your inner creativity:


1. Outfest Los Angeles LGBT Film Festival

Outfest, the nation’s leading LGBT festival, which promotes equality by creating, sharing, and protecting LGBT stories will be held July 7-17.  Film Festival opens at the Orpheum Theatre in Downtown LA, and will also be held at Ford Theatre, Harmony Gold Theatre, Redcat and Roy and Edna Disney/ CalArts Theatre at Walt Disney Concert Hall.
http://www.outfest.org/


2. Harry Potter and the Sorcerer’s Stone in Concert

Experience the film Harry Potter and the Sorcerer’s Stone like never before during this special one-night concert at the Hollywood Bowl. LA Phil, conducted by composer Justin Freer will perform every note from the magnificent John Williams score.
http://www.hollywoodbowl.com/tickets/harry-potter-and-sorcerers-stone-concert/2016-07-06

3. Egyptian Theater

On Saturday July 9th American Cinematheque at the Egyptian theater will be screening the ‘Back to the Future’ triple future. If you’ve not seen the trilogy, make a point to catch this screening, and If you’ve already have, well there’s nothing better than reliving the time travel saga again. 
http://www.americancinemathequecalendar.com/content/back-to-the-future-trilogy-0


4. Anime Expo

Just weeks after the E3 expo, Anime Expo will take over the Los Angeles Convention Center this July 4th holiday weekend. Expect plenty of cosplay and special events as thousands of fans come to celebrate the art and culture of anime.
http://www.anime-expo.org/


5. Rooftop Film Club

Taking full advantage of the Montálban rooftop's beautiful city view, RFC promises to offer some of the most unique and incredible movie-going opportunities for film lovers. Throughout the month of July, Rooftop Film Club will be screening various different films, ranging from audience favorites to critical darlings. Hurry, tickets are selling out!
http://rooftopcinemaclub.com/la/tickets/


6. Sound in Focus 

Sound in Focus, in their latest collaboration with the Annenberg Space for Photography, is a month of free, all ages outdoor concerts. Headliners include Nas and Edward Sharpe and the Magnetic Zeros. The concerts will be on the lawn at Century Park, right next to the Annenberg Space for Photography.
http://soundinfocus.kcrw.com/


7. Guillermo del Toro: At Home with Monsters

Taking inspiration from del Toro’s extraordinary imagination, the exhibition reveals his creative process through his collection of paintings, drawings, maquettes, artifacts, and concept film art. 
In addition, the exhibition will draw some objects from the director's personal residence-meets-museum, Bleak House. The gallery opens on July 31st at LACMA. 
http://www.lacma.org/art/exhibition/guillermo-del-toro-home-monsters


8. Out Door Movies

If you like films, music, the outdoors, and eating, this is the event series for you. Throughout the summer, Eat See Hear will be playing classic movies in outdoor venues.  Experience a movie in a park, around nature and the best food trucks in LA.  
http://www.eatseehear.com/ 


9. Pageant of the Masters

Classic paintings, statues and murals take on a new dimension as real people dress and pose to recreate original masterpieces. A professional orchestra, a narrator, intricate sets and theatrical lighting will help bring the works to life at the Festival of Arts in Laguna Beach. 
http://ev3.evenue.net/cgi-bin/ncommerce3/EVExecMacro?linkID=foa&evm=main


We will continue posting events throughout the summer. And if you know of any other cool events going on this season, please share with the group!  
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What Makes a Great Acting Class:

6/24/2016

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by Nicolas Pinzon


I believe that everyone should take an acting class at least once in their lives. Acting pushes us to confront our physical and emotional selves in a way that no other art form does. Before you can be somebody else, you must know and accept yourself. The right type of acting class will be challenging, will be demanding, but it will also bring a freedom and strength out of you that you never knew you had. The right acting class could change your life. 


However, not all acting classes are created equal. Whether you are a seasoned professional with dreams of the big screen or a first time amateur with no other aspiration than to satisfy your curiosity, the acting class you go into must fulfill certain requirements for it to be really worth your time and money. 

1. You should constantly be working.
So many classes and big name instructors today will make you spend the entire class sitting while the teacher lectures or works with other students. This is counter productive. Yes, every so often it is good to be passive for a moment and think about what acting is, but acting - as the word implies - requires action. You should go into a class that is structured in a way that maximizes your working time. An actor is like an athlete; a basketball player won't suddenly make more hoops because he has spent two hours seeing others do it, he will only get better at his craft if he does the work, and so will you.    



2. You should feel comfortable to fail.
An acting class is a place to experiment, to push yourself, make bold choices and to fail - sometimes slightly, sometimes miserably. You are in an acting class because you want to understand your strengths and shortcomings a little better. You will never do that if you play it safe. A good acting teacher is a mentor; a caring collaborator who will not judge you if you fail, but will instead help you grow from that failure. 



3. Your previous acting experience and techniques should not be disregarded.
If your teacher tells you that everything you learned prior to coming to them is useless and that you should forget anything that is not "their method," run away as fast as you can. Acting is a constantly evolving art form and many techniques and approaches have been developed to tackle its challenges. The truth is that some techniques work better for some people than they do for others, and some can be more relevant in some acting situations than in others. So it's never a bad thing to have a varied arsenal of approaches you can resort to. Certain acting schools (that usually spend more money marketing than in resources for their students) will want to convince you that they are the only approach that works, but the reality is that they probably just want to sell you more books and classes. The acting instructor you want is one that is respectful of your previous acting education and will take your background into account as he or she works with you.     



4. Your experience level and aspirations are accounted for.
You want to be in a class with people who have a similar level of experience as you do and who take acting as seriously as you do. Just like acting does, this requires a lot of honesty. You must be realistic about the level you are at and the level of commitment you're willing to put into the class. You don't want to be too much above or below the average skill level of your classmates. The right acting teacher will have the honesty to tell you if your aspirations and skill level matches with that of the rest of their students. 

5. An acting teacher should be a mentor.
I touched on this earlier but it's an important enough point for me to expand on it here. The right acting class is one that is lead by someone who is willing to be a role model; who wants to share their knowledge and experience without any reservations; who provides constructive feedback; who values the opinions and ideas of others; and who will approach each class with enthusiasm and a sense of curiosity. Your acting teacher should be someone you feel values your development and whom you are comfortable with. 


Ultimately, these five elements will ensure that the class is very good. But only your dedication, creativity, and willingness to take risks can make it truly great. In acting, like in life, you are the master of your won experiences. 



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What Makes A Good Actor?  - From The Perspective Of An Editor.

6/2/2016

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by Nicolas Pinzon

There are certain traits that anyone would consider essential to good acting. Among them are obvious qualities such as believability, vulnerability, and truthfulness. What I want to talk about is what makes a good actor to the person sitting in the edit bay crafting a cohesive performance out of the numerous takes you did that day. The question is: What can you, as an actor, do to ensure that I, as an editor, am able to put together the best performance possible?

First and foremost, as many editors would tell you, I look at the eyes. Many times a single blink signifies the end of an entire thought. Think about it; in real life, when your mind goes somewhere, your eyes do as well. Then, when another thought comes, the position of your eyes usually changes - almost as if the movement of your eyes was following the movement of your mind. That is something I think actors should remember – if the scene requires intensity, keeping your eyes fixed usually allows the editor to hold the cut longer because your eyes will be telling the audience that your mind is still in that thought. Similarly, movement of your eyes can signify a thought process, where each motion takes the audience into a new thought. This is not a rule or something you should exaggerate, but when it comes to the screen, your eyes are everything, and I believe its something you should be conscious about.  

In addition, a good actor gives the editor subtle variations.  I love when an actor gives me different performances to play with, and not the same one in every take. But it absolutely drives me crazy when those differences are so big that it is impossible for me to match what the actor did in one take to what he did in another. Many times, when I’m editing less experienced actors, I am delighted to see a great take only to realize moments later that that take is unusable because the actor grabbed a prop or changed his position in a way that is completely different to every other take he did and so it destroys continuity. I rarely see this happen with more experienced actors. Variation is fantastic for the smaller movements: the eyes, the mouth, the fingers, but bigger movements should be consistent between takes. Consistency doesn’t only make my job easier, it also ensures that I can use your best performances. We’re on the same team – like you, I want your performance to be amazing, and I want to use your best takes. 
   

Last but not least, great actors listen. It sounds like a very basic thing and it’s probably important in theater acting as well. But when it comes to camera acting, I believe listening to the other actor’s words is even more important than it is on stage. Often when I’m editing beginner actors I decide to cut to a shot of them listening only to find a complete deadpan expression. It is quite easy to tell the difference between someone who is listening and someone who is waiting to say their lines. It’s in the eyes every time. They are the window to your soul and a dead give away as to whether you're engaged or not. I end up having to recreate the moment by using footage from another part of the scene but it’s never as good as the actual reaction to the words. 
     
​At award winning reels we use our expertise in writing, directing, and editing to craft the best quality actors’ reels in Los Angeles. We are passionate about producing the type of footage that will impress casting directors and will showcase the individual that you are. We won't let you get away with an empty performance. In our vote, the "eyes" have it.
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A&R Summer Acting Workshop Starts Soon!

5/16/2016

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Summer 2016 A&R Acting Workshop 


Team taught with Anastasia Roussel & Ronnie Clark


The Acting Workshop will concentrate on scene study, monologues and improvisational exercises, in addition to audition technique. We focus on an inside-out approach to character development, finding and fostering organic instincts. Please note homework and/or rehearsals are required. 

The workshop is limited to 12 participants. The cost for a workshop is $660 for 12 weeks. Early bird discounted price is $540 (good until 5/31/16)

An audition may be necessary. A short cold reading will be assigned.

Monday nights beginning 6/13/16 through 8/29/16,  7-10pm
Location TBA

Contact: Award Winning Reels at (323) 702-0857 (or) anastasia@awardwinningreels.com, ronniejclark@gmail.com 
 
Ronnie Clark (MFA - California Institute of the Arts; BA - Humboldt State University) is a two-decade veteran of the Los Angeles theatre community and a core member of LA’s premiere ensemble-devising The Ghost Road Company.  Other theatre affiliations include work with Moving Arts, A Noise Within, Theatricum Botanicum, and the Arizona Shakespeare Festival.  TV credits include: Workaholics, Southland, Childrens Hospital, The Mindy Project, Those Who Can’t, and Sam & Cat.  Recent films: To The Bone, The Invisible Mother, and What Still Remains.
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Anastasia Roussel (MFA - California Institute of the Arts; BFA - Otterbein University) wrote and starred opposite John Savage in the award-winning film Aimée Price She won  BEST ACTRESS at The Baltimore Film Festival for her portrayal of Aimee. Other film highlights include the independent features W.M.D., Dreamers, Tina Gets Her Man (a Kevin Costner production), and A Murder of Crows appearing with Cuba Gooding Jr., and most recently Private Number. Various TV credits include a recurring on The Young and The Restless. She also has an extensive theatrical experience having been a company member of The New American Theater and performing with various other companies in L.A., Theater Nova, Shakespeare and Friends, American Russian Theatrical Alliance.  Her 2012 performance of Rosemary opposite Oliver Muirhead in Bullshot Crummont and The Invisible Bride of Death garnered her OUTSTANDING PERFORMANCE BY A LEAD ACTRESS IN A COMEDY - StageSceneLA.
Anastasia is Partner and Head of Development of White Swan Films and Award Winning Reels, also serving the film industry as a producer and gifted screenwriter. She has written features, shorts, and the TV pilot and series Sunny Side Up!
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Where are they now? Our Demo Reel Production Actors.  

5/5/2016

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by Nicolas Pinzon

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As you may already know, we are passionate about writing, shooting, and editing the best actor’s reels in Hollywood. We often talk on these blogs about the difference that a good reel can make and how important it is to invest in your material, but I think it’s always easier to learn by example so today we decided to look back at the beginnings of Award Winning Reels and see how some of the actors who used our reel production services back in 2012 are doing now.


Eugenia Kuzmina: Back in 2012, Eugenia came to us looking to showcase her talent and charm. Now, 4 years later, Eugenia has certainly kept busy. According to her IMDb page, this Russian/Polish beauty has appeared in smaller roles with the likes of Woody Allen, Robert De Niro and Zac Efron in movies such as Fading Gigolo (2013,) Los Angeles (2014,) and Bad Grandpa (2016.) In addition, Eugenia has made appearances in TV shows such as Lisa Kudrow’s The Comeback and has starred in multiple short films. ​

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Tatiana Chekhova: We also had the pleasure of working on scenes for Tatiana’s reel back in 2012. Like Eugenia, Tatiana’s investment on her career is slowly but surely paying off and every year her resume gets more impressive.  Just last year, Tatiana appeared in top TV shows like NCSI, The Left Overs, and The Mindy Project. Before that, Tatiana appeared in Grey’s Anatomy and Touch.  ​
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​Ferin Petrelli: Since we last worked with her, Ferin has also appeared in The Mindy Project and in two short lived TV shows: The Roommates and (Mis)adventures in Hollywood. In addition, Ferin has also starred in various short films and other media content. 

    These actresses understand the importance of hard work and putting your best foot forward. We are proud to see that they are still in the industry and we are confident that we’ll see their faces on our screens more and more. 
    If you don’t feel you have a quality reel that you can be 100% proud of yet, visit our page! Scroll and check out the scenes we made for other actors who wanted to standout in the most professional and effective ways. And give us a call! Together we can start something great!

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    Authors

    Anastasia Roussel is the head of Development at Award Winning Reels and White Swan Films. 

    Nicolas Pinzon is a filmmaker and storyteller currently enrolled in UCLA’s Professional Screenwriting Program. He has a B.A in Arts and Humanities with a concentration in both Music, and Gender and Sexuality.  

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